当城墙成为成都的历史记忆，而这种记忆在时间的河流中断裂，成为一种文字和图像构成的视觉记忆。那些残留还未曾从城市扩张中消失殆尽的，隐匿在我们城市中的痕迹，一段残壁、一个地名，是否能够唤起我们失去已久的城市记忆，从历史中浮现的还是否联系着我们对当下城市的环境感知，是否可以通过日常声音的记录，回溯时空交错的过去与当下的重逢，成为人与城市的自然连接与对话。
《重逢·十二种声音的维度》，既是在这样的背景下产生，十二位参与者十二种维度。“城墙”塑造了城市的物理空间与精神的空间，亦是生活的记忆身体的感知，借助声音与之重逢，聆听当下。
When the city wall becomes the historical memory of Chengdu, and this memory is broken in the river of time, it becomes a visual memory composed of words and images. Can the remnants of our city that have not disappeared from the expansion of the city, a remnant wall, a place name, evoke our long lost city memories, and can what emerges from history still be linked to our perception of the current urban environment?
“Reunion – Twelve Dimensions of Sound” is both produced in such a context, twelve participants twelve dimensions. “The city walls shape the physical and spiritual space of the city, as well as the memory and physical perception of life.
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Sun Wei 